Wednesday, 24 June 2009

British Fantasy Awards shortlist announced

The BFA have announced their shortlist for this year's awards. Those up for the prizes include Neil Gaiman for The Graveyard Book (which I have just read and loved) and his journal site. Also, Battlestar Galactica is toe-to-toe with Dr Who in the TV category. Voting closes on August 1 and they will anounce the results in September at the FantasyCon in September.

BEST ANTHOLOGY

  • Cone Zero (DF Lewis) Megazanthus Press
  • Myth-Understandings (Ian Whates) Newcon Press
  • Subtle Edens (Allen Ashley) Elastic Press
  • The Mammoth Book of Best New Horror 19 (Stephen Jones) Constable & Robinson
  • The Second Humdrumming Book of Horror (Ian Alexander Martin) Humdrumming
  • We Fade To Grey (Gary McMahon) Pendragon Press

BEST NOVEL (THE AUGUST DERLETH FANTASY AWARD)

  • Memoirs of a Master Forger (William Heaney/Graham Joyce) Gollancz
  • Midnight Man (Simon Clark) Severn House
  • Rain Dogs (Gary McMahon) Humdrumming
  • The Graveyard Book (Neil Gaiman) Bloomsbury
  • The Victoria Vanishes (Christopher Fowler) Little Brown
  • Thieving Fear (Ramsey Campbell) PS Publishing

THE PS PUBLISHING BEST SMALL PRESS AWARD

  • Elastic Press (Andrew Hook)
  • Newcon Press (Ian Whates)
  • Pendragon Press (Chris Teague)
  • Screaming Dreams (Steve Upham)
  • TTA Press (Andy Cox)

BEST COLLECTION

  • Bull Running for Girls (Allyson Bird) Screaming Dreams
  • Glyphotech (Mark Samuels) PS Publishing
  • How To Make Monsters (Gary McMahon) Morrigan Books
  • Islington Crocodiles (Paul Meloy) TTA Press
  • Just After Sunset (Stephen King) Hodder & Stoughton

BEST NOVELLA

  • Cold Stone Calling (Simon Clark) Tasmaniac Publications
  • Gunpowder (Joe Hill) PS Publishing
  • Heads (Gary McMahon) We Fade To Grey, Ed. Gary McMahon - Pendragon Press
  • The Narrows (Simon Bestwick) We Fade To Grey, Ed. Gary McMahon - Pendragon Press
  • The Reach of Children (Tim Lebbon) Humdrumming

BEST SHORT FICTION

  • All Mouth (Paul Meloy) Black Static 6, Ed. Andy Cox - TTA Press
  • Do You See (Sarah Pinborough) Myth-Understandings, Ed. Ian Whates – Newcon Press
  • N (Stephen King) Just After Sunset - Hodder & Stoughton
  • Pinholes in Black Muslin (Simon Strantzas) The Second Humdrumming Book of Horror, Ed. Ian Alexander Martin - Humdrumming
  • The Caul Bearer (Allyson Bird) Bull Running For Girls – Screaming Dreams
  • The Tobacconist’s Concession (John Travis) The Second Humdrumming Book of Horror, Ed. Ian Alexander Martin - Humdrumming
  • The Vague (Paul Meloy) Islington Crocodiles, TTA Press
  • Winter Journey (Joel Lane) Black Static 5, Ed. Andy Cox - TTA Press

BEST COMIC/GRAPHIC NOVEL

  • 30 Days of Night: Beyond Barrow (Steve Niles/Bill Sienkiewicz) IDW Publishing
  • All-Star Superman (Grant Morrison/Frank Quitely) DC Comics
  • Buffy Season Eight Vol. 3: Wolves at the Gate (Joss Whedon & Drew Goddard/ Georges Jeanty) Dark Horse Comics
  • Comic Book Tattoo Tales Inspired by Tori Amos (Ed, Rantz A. Hoseley & Tori Amos/ Various) Image Comics
  • Hellblazer: Fear Machine (Jamie Delano) Vertigo
  • Hellblazer: The Laughing Magician (Andy Diggle/Leonardo Manco & Daniel Zezelj) Vertigo
  • Locke and Key (Joe Hill/Gabriel Rodriguez) IDW Publishing
  • The Girly Comic Book 1 (Ed, Selina Lock) Factor Fiction
  • The New Avengers: Illuminati (Brian Bendis & Brian Reed/Jim Cheung) Marvel Comics

BEST ARTIST

  • Dave McKean (The Graveyard Book) Bloomsbury
  • Edward Miller (Vault of Deeds) PS Publishing
  • Lee Thompson (The Land at the End of the Working Day) Humdrumming
  • Les Edwards (Various)
  • Vincent Chong (Various)

BEST NON-FICTION

  • Basil Copper: A Life in Books (Basil Copper, Ed, Stephen Jones) PS Publishing
  • Doctor Who: The Writer's Tale (Russell T. Davies and Benjamin Cook) BBC Books
  • journal.neilgaiman.com (Neil Gaiman)
  • Mutant Popcorn (Nick Lowe) Interzone - TTA Press
  • What Is It We Do When We Read Science Fiction (Paul Kincaid) Beccon Publications

BEST MAGAZINE

  • Black Static (Andy Cox) TTA Press
  • Interzone (Andy Cox et. al.) TTA Press
  • Midnight Street (Trevor Denyer)
  • Postscripts (Peter Crowther & Nick Gevers) PS Publishing
  • SFX (Dave Bradley) Future Publishing Limited

BEST TELEVISON

  • Battlestar Galactica (NBC)
  • Dead Set (Zeppotron/Channel 4)
  • Dexter (Clyde Phillips Productions)
  • Doctor Who (BBC Wales)
  • Supernatural (Warner Bros TV)

BEST FILM

  • Cloverfield (Matt Reeves)
  • Iron Man (Jon Favreau)
  • The Dark Knight (Christopher Nolan)
  • The Mist (Frank Darabont)
  • The Orphanage (Juan Antonio Bayona)

Wednesday, 10 June 2009

Bookclub Archive update

http://sfbk.blogspot.com/2008/10/skylark-of-space.htmlAs requested, well at least by someone, here is an up-to-date list of the books read

Dune;

Frank Herbert

Spice gives long life; without Spice, space travel is nigh impossible; Spice is the most valuable substance in the universe, but can only be found on one planet. Dune, a planet without water and without mercy, where empires rise and fall. And on this God-forsaken land a new messiah is rising. Winner of the 1966 Hugo and Nebula awards

Foundation;

Isaac Asimov

The time is a future century, in the days of the Julactic Empire – a society of a million worlds throughout the Milky Way. The Old Empire is crumbling into barbarism and Hari Seldon and his band of psychologists see before them only the despair of thousands of years of anarchy, unless they can create a new force – the Foundation – dedicated to art, science and technology – the nucleus of a new empire…

Read the book club analysis of the Foundation series here

2001 a space odyssey;

Arthur C Clarke

On the ancient savannas of Africa, an alien black monolith sparks intelligence into a group of apes, leading to violence and the rise of humanity. Buried deep in the Luna regolith, a magnetic anomaly leads astronauts to discover a black monolith that reacts when exposed to sunlight. En-route to Jupiter to examine another monolith, artificial intelligence descends to madness and one crew member discovers just how far human evolution can go.

The Swarm;

Frank Schätzing

Something strange and terrible is happening deep in the oceans. Tides and currents are shifting, normally peaceful creatures are attacking, ships are sinking, fishermen drowning. The world ecology is in crisis… and this is just the beginning. Led by the claret-loving Norwegian Sigur Johanson and the Inuit whale expert Leon Anawak, a motley group of scientists find themselves in a race against time to prevent a global cataclysm – and to head of those who want to exploit it in their own pursuit of power.

Ender’s Game;

Orson Scott Card

Ender Wiggin is Battle School’s latest recruit. His teachers reckon he could become a great leader. And they need one. A vast alien force is heading for Earth, its mission: the annihilation of all human life. Ender could be our only hope. But first he has to survive the most brutal military training program in the galaxy… Winner of the Hugo (1986) and Nebula (1985) awards

Mortal Engines;

Philip Reeve

London is on the move again. The city has been lying low, skulking in the hills to avoid the bigger, faster, hungrier cities loose in the Great Hunting Ground. The town moves off after its quarry as events within the walls begin to take a sinister turn… Winner of the 2002 Nestle Smarties Book Prize Gold Award and Blue Peter Book of the Year 2003

American Gods;

Neil Gaiman

Days before his release from prison, Shadow’ wife, Laura, dies in a mysterious car crash. Numbly, he makes his way back home. On the plane, he encounters the enigmatic Mr Wednesday, who claims to be a refugee from a distant war, a former god and the king of America. Together they embark on a profoundly strange journey across the heart of the USA, whilst all around them a storm of preternatural and epic proportions threatens to break. Winner of the 2002 Hugo, Nebula, SFX Magazine and Bram Stoker Awards, and the 2004 Geffen Award

The Hitchhiker’s Guide to the Galaxy;

Douglas Adams

One Thursday lunchtime the Earth gets unexpected ly demolished to make way for a hyperspace bypass. For Arthur Dent, who has only just had his house demolished that morning, this seams already more than he can cope with. Sadly, however, the weekend has only just begun, and the galaxy is a very strange and startling place.

Revelation Space;

Alastair Reynolds

Nine hundred thousand years ago, something wiped out the Amarantin. For the human colonists now settling the Amarantin homeworld Resurgam, it’s little more than academic interest, even after the discovery of a long-hidden, almost perfect Amarantin city and a colossal statue of a winged Amarantin. For brilliant but ruthless scientist Dan Sylveste, it’s more than merely intellectual curiosity and he will stop at nothing to get at the truth. Even if the truth costs him everything. But the Amarantin were wiped out for a reason. And that danger is closer and greater than even Sylveste imagines…

Coalescent;

Stephen Baxter

Sisters matter more than daughters. Ignorance is strength. Listen to your sisters.
As the light of the Roman Empire gutters and fails one woman begins a remarkable quest to protect her family. It is a quest that will last 2000 years and threaten everything we know. In present-day England George Poole is looking for his long-lost sister. It is a search that will take him to Rome and into the heart of an ancient secret: a secret that holds a terrifying truth for all our futures.

Kéthani;

Eric Brown

It takes an alien race to show us our humanity When a mysterious alien race known as the Kéthani make contact with the people of Earth they bring with them the dubious gift of eternal life. These enigmatic aliens will change the course of the human race forever but also touch people’s lives on a personal scale, not least in a small town in the English countryside. But do the Kéthani have a hidden agenda and will the human race choose the evolve or turn in on itself in the face of this momentous revelation?

Read the book club analysis here

The Road;

Cormac McCarthy

A father and his son walk alone through burned Ame rica, heading slowly for the coast. Nothing moves in the ravaged landscape save ash on the wind. They have nothing but a pistol to defend themselves against the men who stalk the road, the clothes they are wearing, a cart of scavenged food – and each other. Winner of the 2007 Pulitzer and 2006 James Tate Black Memorial prizes

Read the book club analysis of The Road here

Troll Fell


Katherine Langrish

Peer Ulfsson stood miserably at his father's funeral pyre, watching the sparks whirl up like millions of shining spirits streaking away into the dark. But someone else is also at the funeral. Peer's half-uncle, Baldur Grimsson. Peer watches helplessly as Uncle Baldur sells his father's property and pockets the money. Peer is then forced to move away from the world he knows in Hammerhaven, and live with his two half-uncles at their mill near Troll Fell. Peer hopes his other uncle will be more welcoming and less ferocious than Baldur, but Baldur is an identical twin, and Grim Grimsson is just as mean-spirited and greedy as his brother. Peer lives a life of servitude, with only the company of his faithful dog, Loki, until he meets spirited Hilde, whose family farm on Troll Fell, and Nis, his uncles' house spirit. Between them, they must foil a plot by the Grimsson brothers to sell one boy and one girl to the trolls who live on Troll Fell. But the Grimssons want riches, and they will do anything to get them. And as everyone knows, trolls are rich! but they are also cunning.

The Skylark of Space

E.E., "Doc" Smith

“the Skylark flew through the infinite reaches of interstellar space with an unthinkable, almost incalculable velocity – beside which the velocity of light was as that of a snail to that of a rifle bullet; a velocity augmented every second by a quantity almost double that of light itself.” Classic, and original, space opera from the 1920's. This is reputed to be the first interstellar story.

Read the book club analysis here

1984

George Orwell

Hidden away in the Record Department of the sprawling Ministry of Truth, Winston Smith skilfully rewrites the past to suit the needs of the Party. Yet he inwardly rebels against the totalitarian world he lives in, which demands absolute obedience and controls him through the all-seeing telescreens and the watchful eye of Big Brother, symbolic head of the Party. In his longing for truth and liberty, Smith begins a secret love affair with a fellow-worker Julia, but soon discovers the true price of freedom is betrayal.

The Player of Games (The Culture)

Iain M. Banks

The Culture - a human/machine symbiotic society - has thrown up many great Game Players, and one of the greatest of these is Gurgeh. Jernau Morat Gurgeh. The Player Of Games. Master of every board, computer and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel and incredibly wealthy, to try their fabulous game... a game so complex, so like life itself, that the winner becomes emperor. Mocked, blackmailed, almost murdered, Gurgeh accepts the game, and with it the challenge of his life - and very possibly his death.

Star Trek Destiny: Gods of Night

David Mack

The Borg return -- with a vengeance! Blitzkrieg attacks by the single-minded aliens with their hive mentality and their mission to assimilate every intelligent being they encounter are leaving whole worlds aflame. No one knows how they are slipping past Starfleet's defences, so Captain Jean-Luc Picard and the Enterprise crew are detailed to find out -- and to put a stop to it if they can. Meanwhile, thousands of light years away, Captain Will Riker and the crew of the Titan follow bizarre energy pulses to a mysterious, hidden world. There they find a figure out of legend: a Starfleet captain long thought dead. And at the same time, over in the Gamma Quadrant, newly promoted Captain Dax and her crew investigate the wreck of the Earth starship Columbia NX-02, missing in action for more than two centuries.

Speed of Dark

Elizabeth Moon

Lou is different to 'normal' people. He interacts with the world in a way that they do not understand. He might see things that they see, but he also sees many things that they do not. Lou is autistic. One of his skills is an ability to find patterns in data: extraordinary, complex, beautiful patterns that not even the most powerful computers can comprehend. The company he works for has made considerable sums of money from Lou's work. but now they want Lou to change - to become 'normal' like themselves. And he must face the greatest challenge of his life. To understand the speed of dark.

Startide Rising (Uplift Trilogy)

David Brin

The Terran exploration vessel Streaker has crashed on the uncharted water world of Kithrup, bearing one of the most important discoveries in galactic history. Above, in space, armadas of alien races clash in a titanic struggle to claim her. Below, a handful of her human and dolphin crew battle armed rebellion and a hostile planet to safeguard her secret - the fate of the Progenitors, the fabled First Race who seeded wisdom throughout the stars.

The Many-coloured Land

Julian May

The 'Saga of Pliocene Exile' is a narrative surrounding the adventures of a group of late 21st and early 22nd century misfits/outcasts who travel through a one-way time-gate to Earth's Pliocene epoch, in the hopes of finding a simple utopia where they can finally fit in. However, the reality is far removed from the dream.

Friday, 1 May 2009

2009 Hugo Nominations

I see that the 2009 Hugo Award nominations have been announced. OK, a little while ago, but I have been busy %-) It looks like there is plenty of interesting reading and viewing in this list.

Best Novel

  • Anathem by Neal Stephenson (Morrow; Atlantic UK)
  • The Graveyard Book by Neil Gaiman (HarperCollins; Bloomsbury UK)
  • Little Brother by Cory Doctorow (Tor Teen; HarperVoyager UK)
  • Saturn’s Children by Charles Stross (Ace; Orbit UK)
  • Zoe’s Tale by John Scalzi (Tor)

Best Novella

  • “The Erdmann Nexus” by Nancy Kress (Asimov’s Oct/Nov 2008)
  • “The Political Prisoner” by Charles Coleman Finlay (F&SF Aug 2008)
  • “The Tear” by Ian McDonald (Galactic Empires)
  • “True Names” by Benjamin Rosenbaum & Cory Doctorow (Fast Forward 2)
  • “Truth” by Robert Reed (Asimov’s Oct/Nov 2008)

Best Novelette

  • “Alastair Baffle’s Emporium of Wonders” by Mike Resnick (Asimov’s Jan 2008)
  • “The Gambler” by Paolo Bacigalupi (Fast Forward 2)
  • “Pride and Prometheus” by John Kessel (F&SF Jan 2008)
  • “The Ray-Gun: A Love Story” by James Alan Gardner (Asimov’s Feb 2008)
  • “Shoggoths in Bloom” by Elizabeth Bear (Asimov’s Mar 2008)

Best Short Story

  • “26 Monkeys, Also the Abyss” by Kij Johnson (Asimov’s Jul 2008)
  • “Article of Faith” by Mike Resnick (Baen’s Universe Oct 2008)
  • “Evil Robot Monkey” by Mary Robinette Kowal (The Solaris Book of New Science Fiction, Volume Two)
  • “Exhalation” by Ted Chiang (Eclipse Two)
  • “From Babel’s Fall’n Glory We Fled” by Michael Swanwick (Asimov’s Feb 2008)

Best Related Book

  • Rhetorics of Fantasy by Farah Mendlesohn (Wesleyan University Press)
  • Spectrum 15: The Best in Contemporary Fantastic Art by Cathy & Arnie Fenner, eds. (Underwood Books)
  • The Vorkosigan Companion: The Universe of Lois McMaster Bujold by Lillian Stewart Carl & John Helfers, eds. (Baen)
  • What It Is We Do When We Read Science Fiction by Paul Kincaid (Beccon Publications)
  • Your Hate Mail Will be Graded: A Decade of Whatever, 1998-2008 by John Scalzi (Subterranean Press)

Best Graphic Story

  • The Dresden Files: Welcome to the Jungle Written by Jim Butcher, art by Ardian Syaf (Del Rey/Dabel Brothers Publishing)
  • Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones Written by Kaja & Phil Foglio, art by Phil Foglio, colors by Cheyenne Wright (Airship Entertainment)
  • Fables: War and Pieces Written by Bill Willingham, pencilled by Mark Buckingham, art by Steve Leialoha and Andrew Pepoy, color by Lee Loughridge, letters by Todd Klein (DC/Vertigo Comics)
  • Schlock Mercenary: The Body Politic Story and art by Howard Tayler (The Tayler Corporation)
  • Serenity: Better Days Written by Joss Whedon & Brett Matthews, art by Will Conrad, color by Michelle Madsen, cover by Jo Chen (Dark Horse Comics)
  • Y: The Last Man, Volume 10: Whys and Wherefores Written/created by Brian K. Vaughan, penciled/created by ia Guerra, inked by Jose Marzan, Jr. (DC/Vertigo Comics)

Best Dramatic Presentation, Long Form

  • The Dark Knight Christopher Nolan & David S. Goyer, story; Jonathan Nolan and Christopher Nolan, screenplay; based on characters created by Bob Kane; Christopher Nolan, director (Warner Brothers)
  • Hellboy II: The Golden Army Guillermo del Toro & Mike Mignola, story; Guillermo del Toro, screenplay; based on the comic by Mike Mignola; Guillermo del Toro, director (Dark Horse, Universal)
  • Iron Man Mark Fergus & Hawk Ostby and Art Marcum & Matt Holloway, screenplay; based on characters created by Stan Lee & Don Heck & Larry Lieber & Jack Kirby; Jon Favreau, director (Paramount, Marvel Studios)
  • METAtropolis by John Scalzi, ed. Written by: Elizabeth Bear, Jay Lake, Tobias Buckell and Karl Schroeder (Audible Inc)
  • WALL-E Andrew Stanton & Pete Docter, story; Andrew Stanton & Jim Reardon, screenplay; Andrew Stanton, director (Pixar/Walt Disney)

Best Dramatic Presentation, Short Form

  • “The Constant” (Lost) Carlton Cuse & Damon Lindelof, writers; Jack Bender, director (Bad Robot, ABC studios)
  • Doctor Horrible’s Sing-Along Blog Joss Whedon, & Zack Whedon, & Jed Whedon & Maurissa Tancharoen , writers; Joss Whedon, director (Mutant Enemy)
  • “Revelations” (Battlestar Galactica) Bradley Thompson & David Weddle, writers; Michael Rymer, director (NBC Universal)
  • “Silence in the Library/Forest of the Dead” (Doctor Who) Steven Moffat, writer; Euros Lyn, director (BBC Wales)
  • “Turn Left” (Doctor Who) Russell T. Davies, writer; Graeme Harper, director (BBC Wales)

Best Editor, Short Form

  • Ellen Datlow
  • Stanley Schmidt
  • Jonathan Strahan
  • Gordon Van Gelder
  • Sheila Williams

Best Editor, Long Form

  • Lou Anders
  • Ginjer Buchanan
  • David G. Hartwell
  • Beth Meacham
  • Patrick Nielsen Hayden

Best Professional Artist

  • Daniel Dos Santos
  • Bob Eggleton
  • Donato Giancola
  • John Picacio
  • Shaun Tan

Best Semiprozine

  • Clarkesworld Magazine edited by Neil Clarke, Nick Mamatas & Sean Wallace
  • Interzone edited by Andy Cox
  • Locus edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi
  • The New York Review of Science Fiction edited by Kathryn Cramer, Kris Dikeman, David G. Hartwell, & Kevin J. Maroney
  • Weird Tales edited by Ann VanderMeer & Stephen H. Segal

Best Fanzine

  • Argentus edited by Steven H Silver
  • Banana Wings edited by Claire Brialey and Mark Plummer
  • Challenger edited by Guy H. Lillian III
  • The Drink Tank edited by Chris Garcia
  • Electric Velocipede edited by John Klima
  • File 770 edited by Mike Glyer

Best Fan Writer

  • Chris Garcia
  • John Hertz
  • Dave Langford
  • Cheryl Morgan
  • Steven H Silver

Best Fan Artist

  • Alan F. Beck
  • Brad W. Foster
  • Sue Mason
  • Taral Wayne
  • Frank Wu

The John W. Campbell Award for Best New Writer

  • Aliette de Bodard*
  • David Anthony Durham*
  • Felix Gilman
  • Tony Pi*
  • Gord Sellar*
*(Second year of eligibility)
www.thehugoawards.org

Thursday, 5 February 2009

Great Opening Passages in SF

Great books have great openings.

Actually, sometimes they start mundane and slowly build to a nail-biting climax. And sometimes they promise so much and fail to deliver. So perhaps I should rephrase my own opening:

Great selling books have great openings.

If you are standing in a bookshop and are toying with two or more tomes and cannot decide between them, then the opening passage is often the clincher.

Some authors excel at the opening and others just start telling the story. For me, a good opening should intrigue and entice; it should knock your perspective sideways a little, or a lot, and tell you that this book will say something new. It should have poetry, as well as prose, and a twist.

This is a personal list; I am sure that you can add more to it. Interestingly, some of my favourite books do not feature, and some others appear though I do not rate the rest of the work. It just goes to show that you cannot always judge a book by its cover, or its opening…

<<----------------------------------------------->>

Far out in the uncharted backwaters of the unfashionable end of the Western Spiral Arm of the Galaxy lies a small and unregarded yellow sun.

The Hitch Hiker’s Guide To The Galaxy – Douglas Adams

There is a theory which states that if ever anyone discovers exactly what the Universe is for and why it is here, it will instantly disappear and be replaced by something even more bizarre and inexplicable.

There is anther theory which states that this has already happened.

The Restaurant At The End Of The Universe – Douglas Adams

The regular early morning yell of horror was the sound of Arthur Dent waking up and suddenly remembering where he was.

Life, The Universe And Everything – Douglas Adams

It can hardly be a coincidence that no language on Earth has ever produced the expression “as pretty as an airport”.

The Long Dark Teatime Of The Soul – Douglas Adams

It was a pleasure to burn.

It was a special pleasure to see things eaten, to see things blacken and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning.

Montag grinned the fierce grin of all men singed and driven back by flame.

He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, burnt-corked , in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his face muscles, in the dark. It never went away, that smile, it never ever went away, as long as he remembered.

Fahrenheit 451 – Ray Bradbury

Arnold Potterley, PhD, was a Professor of Ancient History. That, in itself was not dangerous. What changed the world beyond all dreams was the fact that he looked like a Professor of Ancient History.

The Dead Past – Isaac Asimov

Once a guy stood all day shaking bugs from his hair. The doctor had told him that there were no bugs in his hair. After he had taken a shower for eight hours, standing under the hot water hour after hour suffering the pain of the bugs in his hair, he got out and dried himself, and he still had bugs in his hair; in fact, he had bugs all over him. A month later he had bugs in his lungs.

A Scanner Darkly – Philip K Dick

The little village of Obscurity is remarkable only for its unremarkableness. Passed over for inclusion in almost every publication from the Doomesday Book to Thirty Places Not Worth Visiting in Berkshire, the small hamlet is also a cartographic omission, an honour it shares with the neighbouring villages of Hiding and Cognito. Indeed, the status of Obscurity was once thought so tenuous that some of the more philosophically inclined residents considered the possibility that since the village didn’t exist then they might not exist either, and hurriedly placed ‘existential question of being’ on the parish council agenda, where it still resides, after much unresolved discussion, between ‘church roof fund’ and ‘any other business’.

The Fourth Bear – Jasper Fford

The sky above the port was the colour of a dead television, tuned to a dead channel.

Neuromancer – William Gibson

The island of Gont, a single mountain that lifts its peak a mile above the storm-racked Northeast Sea, is a land famous for wizards. From the towns in its high valleys and the ports on its dark narrow bays many a Gontishman has gone forth to serve the Lords of the Archipelago in their cities as a wizard or mage, or, looking for adventure, to wander working magic from isle to isle of all Earthsea.

A Wizard Of Earthsea – Ursula Le Guin

“Tonight we’re going to show you eight silent ways to kill a man.” The guy who said that was a sergeant who didn’t look five years older than me. So if he’d ever killed a man in combat, silently or other wise, he’d done it as an infant.

I already knew eighty ways to kill people, but most of them were pretty noisy. I sat up straight in my chair and assumed a look of polite attention and fell asleep with my eyes open. So did most everybody else. We’d learned that they never scheduled anything important for these after-chop classes.

The Forever War – Joe Haldeman

When the office door opened suddenly I knew that the game was up. It had been a money-maker – but it was all over. As the cop walked in I sat back in the chair and put on a happy grin. He had the same sombre expression and heavy foot that they all have – and the same lack of humour. I almost knew to the word what he was going to say before he uttered a syllable.

‘James Bolivar diGriz I arrest you on the charge –‘

I was waiting for the word charge, I thought it made a nice touch that way. As he said it I pressed the button that set off the charge of black powder in the ceiling, the crossbeam buckled and the three-ton safe dropped right on top of the cop’s head. He squashed very nicely, thank you. The cloud of plaster dust settled and all I could see of him was one hand, slightly crumpled. It twitched a bit and the index finger pointed at me accusingly. His voice was a little muffled by the safe and sounded a bit annoyed. In fact he repeated himself a bit.

‘…On the charge of illegal entry, theft, forgery –‘

The Stainless Steel Rat – Harry Harrison

As George Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect.

Metamorphosis – Kafka

It all began with the aurochs.

The Paradise War – Stephen Lawhead

It was a lifeless hulk – its back broken, its skin rent, its mammoth form half buried in the shifting sands of a mountainous dune – and it was even more beautiful than Jadzia Dax remembered.

Star Trek Destiny, The Gods Of Night – David Mack

Noe glances towards the heavens, something he does a lot these days. Scanning for clouds. None visible amid the stars, so he finishes urinating, shakes himself dry and makes his way back to the house. Inside, the wife pokes desultorily as a pot of stew hanging over a fire. It is late for supper; the others have eaten and retired to the sleeping room. Noe squats against one of the rough lime-washed walls and points at a terracotta bowl. He’s roughly six hundred years old: words are unnecessary.

The Flood – David Maine

When he woke in the woods in the dark and the cold of the night he’d reach out to touch the child sleeping beside him. Nights dark beyond darkness and the days more grey each one than what had gone before. Like the onset of some cold glaucoma dimming away the world.

The Road – Cormac McCarthy

Saunders had been dead for almost two weeks now and, so far, he hadn’t enjoyed a minute of it.

Red Dwarf – Grant Naylor

The most beautiful girl aboard turned out to have a husband with habits so solitary that I didn’t know about him until the second week. He was abut five feet four and middle-aged, but he wore a hellflare tattoo on his shoulder, which meant that he’d been in Kzin during the war thirty years back, which meant that he’d been trained to kill adult Kzinti with his bare hands, feet, elbows, knees, and whatnot. When we found out about each other, he very decently gave me a first warning, and broke my arm to prove that he meant it.

Flatlander – Larry Niven

In the night-time heart of Beirut, in one of a row of general-address transfer booths, Louis Wu flicked into reality.

His foot length queue was white and shiny as artificial snow. His skin and depilated scalp were chrome yellow; the irises of his eyes were gold; his robe was royal blue with a golden stereoscopic dragon superimposed. In the instant he appeared, he was smiling and waving. But the smile was already fading, and in a moment was gone, and the sag of his face was like a rubber mask melting. Louis Wu showed his age.

Ringworld – Larry Niven

There was a moment so short that it had never been successfully measured, yet always far too long. For that moment it seemed that every mind in the universe, every mind that had ever boon or that would ever be, was screaming its deepest emotions at him.

Then it was over. The stars had changed again.

The World of Ptavvs – Larry Niven

It was a bright cold day in April, and the clocks were striking thirteen.

1984 – George Orwell

During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of evening drew on, within view of the melancholy House of Usher.

The Fall Of The House Of Usher – Edgar Allan Poe

The sun rose slowly, as if it wasn’t sure if it was worth the effort.

The Light Fantastic – Terry Pratchett

The Morris dance is common to all inhabited worlds in the multiverse.

It is danced under blue skies to celebrate the quickening of the soil and under bare stars because it’s springtime and with any luck the carbon dioxide will unfreeze again. The imperative is felt by deep-sea beings who have never seen the sun and urban humans whose only connection to nature is that their Volvo once ran over a sheep.

Reaper Man – Terry Pratchett

The wind howled. Lightning stabbed at the earth erratically, like an inefficient assassin. Thunder rolled back and forth across the dark, rain lashed hills.

The night was a dark as the inside of a cat. It was the kind of night, you could believe, on which the gods moved men as though they were pawns on the chessboard of fate. In the middle of this elemental storm a fire gleamed among the dripping furze bushes like the madness in a weasel’s eye. It illuminated three hunched figures. As the cauldron bubbled an eldritch voice shrieked: ‘When shall we three meet again?’

There was a pause.

Finally another voice said, in far more ordinary tones: ‘Well, I can do next Tuesday.’

Wyrd Sisters – Terry Pratchett

It was a dark, blustery afternoon in spring, and the city of London was chasing a small mining town across the dried-out bed of the old North Sea.

Mortal Engines – Phillip Reeve

The dead ship was a thing of obscene beauty.

Skade looped around it in a helical pseudo-orbit, her corvette’s thrusters drumming a rapid tattoo of corrective bursts. The starscape wheeled behind the ship, the system’s sun eclipsed and revealed with each loop of the helix. Skade’s attention had lingered on the sun for a moment too long. She felt an ominous tightening in her throat, the onset of motion sickness.

It was not what she needed.

Redemption Ark – Alastair Reynolds

One day the sky fell. Plates of ice crashed into the lake, and then started thumping on the beach. The children scattered like frightened sandpipers.

Green Mars – Kim Stanley Robinson

Juan Narcisco Ucanan went to his fate that Wednesday, and no one even noticed.

The Swarm – Frank Schatzing

In that pleasant district of merry England which is watered by the river Don, there extended in ancient times a large forest, covering the greater part of the beautiful hills and valleys which lie between Sheffield and the pleasant town of Doncaster.

Ivanhoe – Sir Walter Scott

There is in Uruk the city a great platform of kiln-baked brick that was the playing field of the gods, long before the Flood, in that time when mankind had not been created and their alone inhabited the Earth. Every seventh year for the past ten thousand years we have painted the bricks of that platform white with a plaster of fine gypsum, so that it flashes like a vast mirror under the eye of the sun.

Gilgamesh the King – Robert Silverberg

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort

The Hobbit – JRR Tolkien

No one would have believed, that in the last years of the nineteenth century, that human affairs were being watched keenly and closely by intelligences greater than man’s and yet mortal as his own… Yet, across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.

The War Of The Worlds – HG Wells

Thursday, 18 December 2008

What Science Fiction Writers Have Learned About Predicting The Future of Technology

"Science fiction authors Larry Niven, Robert Sawyer, Nancy Kress and Charles Stross look back at looking forward. You might find a few lessons about encouraging innovation in your own company. " says this article on the CIO website. Of course, it is good to remember that sci-fi is often as much about commenting on current society as it is predicting the future of technology, all wrapped up an exciting story, but that has always been the glory of SF.

Wednesday, 29 October 2008

The Skylark of Space

"With the exception of the works of H. G. Wells, possibly those of Jules Verne – and almost no other writer – it has inspired more imitators and done more to change the nature of all the science fiction written after it than almost any other single work." – Frederik Pohl

Do not expect the technological accuracy of hard science fiction or the social commentary of soft SF; this is Space Opera, adventure on a grand scale. In Skylark, the men are real men, the women are real women, and small furry creatures from Alpha Centauri just do not stand a chance. The hero, Dr Richard Seaton, is a 6’5” son of a lumberjack, champion marksman, unbeatable tennis player, conjurer supreme, government chemist, and certified genius. His sidekick, Martin Crane, is a handsome millionaire technical wizard. Dick’s fiancée is the beautiful Dorothy Vaneman, a virtuoso on the violin and frankly an airhead. The villain of the piece is Dr Marc DuQuesne; you can tell that he is evil because not only does he have black hair but he also has a foreign name!

The prose is regularly purple and over blown, but it has a childlike enthusiasm and sense of wonder. Doc Smith’s heroes are heroes and thus behave heroically: ‘Their hands met in a fierce clasp, broken by Seaton, as he leapt to the levers with an intense: “Well, let’s get busy!” ’ Doc Smith can also write, seemingly without irony ‘[Seaton] lifted his powerful, but musical, bass voice… He sang lustily, out of his sheer joy in being alive, and was surprised to hear Dorothy’s clear soprano, Margret’s pleasing contralto, and Crane’s mellow tenor chime in from the adjoining room.’ Skylark is full of rich language that is ripe for parody, yet transcends such bass ignominies. It will never be accused of being literature; it is too self-mocking for that.

Please do not be put off by thinking that the characters are all cardboard thin, true though this is, as they are all gloriously larger than life. Skylark is not subtle, it is a rollicking rollercoaster adventure populated by characters of epic proportions: all clean-shaven and square of jaw.

Plot

The plot, what there is, revolves around Dr Seaton’s surprise discovery of a controllable process to release the intra-atomic power of copper, leading to his creation of the eponymous space ship. Meanwhile, gangsters lead by his lab colleague Dr DuQuesne first steal the plans and intending on blackmail kidnap Dorothy. Their plans go awry and they find themselves heading off into deep space with Dick and Martin in hot pursuit. Following the rescue, the intrepid travellers find themselves on a prehistoric world, then one of hostile disembodied intelligences, and finally on a world populated by beautiful, friendly, green, humans who are engaged in a war of extermination. Dick saves the day, marries his girl and returns home in triumph.

Background

Dr Edward Elmer Smith PhD, a food chemist, started writing Skylark in 1915 at the insistence of a friend, Lee Harkins Garby, who said that he should write up his ideas about space travel. While he had no trouble about writing about a character that is remarkably similar to himself, though presumably exaggerated, he struggled so much to write the female parts that he asked Lee to help. This she did, providing the romantic passages in the book. The work was finally finished in 1920 but proved so radical that no publisher would touch it. It was not until 1927 that Amazing Stories, a pulp magazine specialising Scientific Romances, agreed to publish it. Interestingly, Skylark shared the edition with the first Buck Rodgers story. Its time had come.

Skylark exhibits many of the prevailing attitudes and scientific understandings of the period just after the First World War that have now falling into disrepute. One of the most noticeable is that Einstein’s theory of Special Relativity, published only 10 years before Smith started to write Skylark, had not been fully accepted by the scientific establishment. This enabled Smith to propel his spacecraft faster than light: “the Skylark flew through the infinite reaches of interstellar space with an unthinkable, almost incalculable velocity – beside which the velocity of light was as that of a snail to that of a rifle bullet; a velocity augmented every second by a quantity almost double that of light itself.” Similarly, Smith generally bases the physics on the assumption that the theory of Ether, the substrate of the universe, was correct.

To the modern reader, Skylark’s most distasteful aspect is that of eugenics. This is the belief in intervention in human hereditary, encouraging the breeding by strong health people and discouraging that by those deemed genetically defective, possibly even by forced sterilisation. Eugenics was a widely held and popular belief until the Nazis took it to its logical conclusion in the holocaust. This tied in with prevalent views on total war, which held that there were no innocent civilians; all were targets and combatants. The majority of the aliens in Skylark held the view that genocide was the only way to win a war; a move generally stopped by Dick Seaton, at least for human races. Genocide of chlorine breathing (and therefore irredeemably evil!) races was viewed as quite necessary and was a repeated theme in the series of books.

As one review so succinctly put it, the four Skylark books can be summarised as:

  1. The Skylark of space – Seaton builds a spaceship and has a big adventure
  2. Skylark Three – Seaton builds a bigger spaceship and has an even bigger adventure
  3. Skylark of Valeron – Seaton builds a even bigger spaceship and has an even bigger adventure
  4. Skylark DuQuesne – Seaton builds a even bigger spaceship and has an even bigger adventure

The Skylark series was so groundbreaking, or possibly ignorant of the conventions, that Smith named the sequel “Skylark Three”. While this is quite logical, it has been know to cause confusion even among publishers.

Skylark DuQuesne was nominated for the 1966 Hugo award for best novel, loosing to Frank Herbert’s Dune.

Conclusion

E.E. “Doc” Smith is hailed as being the creator of both interstellar science fiction and of the Space Opera sub-genre. His visions of epic space battles by the greatest of heroes against the evilest of villains inspired many great SF writers through the 20th century, eventually leading to its eminent descendant Star Wars. This is were it all began, boldly going to galaxies far far away, seeking out new worlds and ways of writing SF. Skylark’s faults may be many, but they are forgivable. If later works seem more refined, it is because this is the mother lode. Forget characterisation and realism: just hold on tight and enjoy the ride. All aboard?

Thursday, 16 October 2008

Award Winning SF Novels

The Hugo Awards are decided by the members of the World Science Fiction Society. The Nebula Awards are similarly determined by the active members of the Science Fiction and Fantasy Writers of America.

Both present prizes for the year’s best novel (40,000 words or more), novella (17,500 to 39,999 words), novelette (7,500 to 17,499 words) and short story (fewer than 7,500 words). They also give prizes for associated works such as dramatic presentations, and related works.

If we consider just the prize for the best novel, Lois McMaster Bujold is the clear leader with 6 Hugos and Nebulas to her name. Lois is followed by Joe Haldeman, Robert Heinlein and Ursula K Le Guin with 5.

You can find out more about the awards at http://www.nebulaawards.com/ and http://www.thehugoawards.org/.

Hugo Awards Nebula Awards
1946 The Mule Isaac Asimov
1947
1948
1949
1950
1951 Farmer In The Sky Robert A Heinlein
1952
1953 The Demolished Man Alfred Bester
1954 Fahrenheit 451 Ray Bradbury
1955 They'd Rather Be Right Mark Clifton and Frank Riley
1956 Double Star Robert A Heinlein
1957
1958 The Big Time Fritz Leiber
1959 A Case Of Conscience James Blish
1960 Starship Troopers Robert A Heinlein
1961 A Canticle For Leibowitz Walter M Miller
1962 Stranger In A Strange Land Robert A Heinlein
1963 The Man In The High Castle Philip K Dick
1964 Here Gather The Stars Clifford D Simak
1965 The Wanderer Fritz Leiber Dune Frank Herbert
1966 Dune Frank Herbert Flowers For Algernon Daniel Keyes
Babel-17 Samuel R Delany
1967 The Moon Is A Harsh Mistress Robert A Heinlein The Einstein Intersection Samuel R Delany
1968 Lord Of The Light Roger Zelazny Rite Of Passage Alexei Panshin
1969 Stand On Zanzibar John Brunner The Left Hand Of Darkness Ursula K Le Guin
1970 The Left Hand Of Darkness Ursula K Le Guin Ringworld Larry Niven
1971 Ringworld Larry Niven A Time Of Changes Robert Silverberg
1972 To Your Scattered Bodies Philip Jose Farmer The Gods Themselves Isaac Asimov
1973 The Gods Themselves Isaac Asimov Rendezvous With Rama Arthur C Clarke
1974 Rendezvous With Rama Arthur C Clarke The Dispossessed Ursula K Le Guin
1975 The Dispossessed Ursula K Le Guin The Forever War Joe Haldeman
1976 The Forever War Joe Haldeman Man Plus Frederik Pohl
1977 Where Late The Sweet Birds Sang Kate Wilhelm Gateway Frederik Pohl
1978 Gateway Frederik Pohl Dreamsnake Vonda N McIntyre
1979 Dreamsnake Vonda N McIntyre The Fountains Of Paradise Arthur C Clarke
1980 The Fountains Of Paradise Arthur C Clarke Timescape Gregory Benford
1981 The Snow Queen Joan D Vinge Claw Of The Conciliator Gene Wolfe
1982 Downbelow Station C J Cherryh No Enemy But Time Michael Bishop
1983 Foundation's Edge Isaac Asimov Startide Rising David Brin
1984 Startide Rising David Brin Neuromancer William Gibson
1985 Neuromancer William Gibson Ender's Game Orson Scott Card
1986 Ender's Game Orson Scott Card Speaker For The Dead Orson Scott Card
1987 Speaker For The Dead Orson Scott Card The Falling Woman Pat Murphy
1988 The Uplift War David Brin Falling Free Lois McMaster Bujold
1989 Cyteen C J Cherryh Healer's War Elizabeth Ann Scarborough
1990 Hyperion Dan Simmons Tenau: The Last Book Of Earthsea Ursula K Le Guin
1991 The Vor Game Lois McMaster Bujold Stations Of The Tide Michael Swanwick
1992 Barrayar Lois McMaster Bujold Doomsday Book Connie Willis
1993 A Fire Upon The Deep Vernor Vinge Red Mars Kim Stanley Robinson
Doomsday Book Connie Willis
1994 Green Mars Kim Stanley Robinson Moving Mars Greg Bear
1995 Mirror Dance Lois McMaster Bujold The Terminal Experiment Robert J Sawyer
1996 The Diamond Age Neal Stephenson Slow River Nicola Griffith
1997 Blue Mars Kim Stanley Robinson The Moon and The Sun Vonda N McIntyre
1998 Forever Peace Joe Haldeman Forever Peace Joe Haldeman
1999 To Say Nothing Of The Dog Connie Willis Parable Of The Talents Octavia E Butler
2000 A Deepness In The Sky Vernor Vinge Darwin's Radio Greg Bear
2001 Harry Potter and The Goblet Of Fire J K Rowling The Quantum Rose Catherine Asaro
2002 American Gods Neil Gaiman American Gods Neil Gaiman
2003 Hominids Robert J Sawyer The Speed Of Dark Elizabeth Moon
2004 Paladin Of Souls Lois McMaster Bujold Paladin Of Souls Lois McMaster Bujold
2005 Jonathan Strange and Mr Norrell Susanna Clarke Camouflage Joe Haldeman
2006 Spin Robert Charles Wilson Seeker Jack McDevitt
2007 Rainbows End Vernor Vinge The Yiddish Policeman's Union Michael Chabon
2008 The Yiddish Policeman's Union Michael Chabon

Sunday, 21 September 2008

The Road, by Cormac McCarthy - Analysis


The Road - An Analysis

Overview

From the back cover: A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is grey. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food and each other. "The Road" is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, 'each the other's world entire', are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Winner of the 2007 Pulitzer and 2006 James Tate Black Memorial prizes

Themes

Faith, Hope & Charity

The world is dead, nothing grows, the very air is poisoned with dust and ash, yet the Man and Boy press on in faith. They hope that they will find food, warmth, the sea, the good guys, life. Contradictions abound: they find bounty in the cold and barren sea; the Boy finds faith and shelter after the man’s death; the Boy offers succour to those he meets but the Man refuses; their only sustenance is the charity of blind chance and treasure troves. Hope where all is hopeless; faith that the flame that they carry will find a destination; and charity at the end.

Motifs

Food

Nothing grows and the whole food web has collapsed. The Man and the Boy only survive through luck in finding food before anyone else. Ironically, they are reduced to primitive hunter-gatherers: the only hunting is other humans and the only gathering is tinned food. Neither are sustainable.

Hiding

Much in hidden in The Road. The Man and Boy hide their night time fires from hostile eyes and search for food hidden where none have found it before. Their destination is hidden and only hoped for. The destruction of the world is hidden in the past and the Man’s lack of understanding and the Boy’s indifference to the world he was born too late to see. Some things in hiding are treasures, like the real coffee in the survivalist’s bunker. Some things, such as the cause of the apocalypse, are hidden because they are irrelevant to survival in the present.

Symbols

Fire

Fire destroyed the world. Fire keeps them warm at night and cooks their food, but it must be hidden from others on the road who might steal their meagre rations and lives. The Man and Boy are carriers of the metaphorical fire, but for what? Is it goodness, civilisation, faith, the spirit of man, of God?

The Shopping Cart

Apart from their emergency supplies held in backpacks, they carry all their worldly goods in a supermarket trolley. Where they are reduced to savaging rusty tins, when money has no meaning, they use a symbol of rampant consumerism and commercial choice. It is no wonder that the wheels are falling off.

Dust

All is dust and ashes. The dust of civilisation lies heavy on the ground and on those still clinging to life. It chokes the waters and poisons the survivors.The Man and Boy cannot shake the dust from their feet but can only mask their nostrils.

Review

Life has (apart from birth) no beginnings and (apart from death) no endings. It only have events in the middle. There are no chapters but there is punctuation. As they say, “Life goes on”. The Road is lifelike, which is one of its many ironies, as nearly everything is dead. There is no beginning, though we see fragmentary and unexplained flashbacks to the events that caused the world to die and thus put the Man and the Boy on this journey. There is an end for the man, though this has been signposted throughout. And there is an end of the journey for the boy, which possibly gives hope in this hopeless world. “The road goes ever on”, as does life in this dead world. But the road reaches the sea and finds that it is as dead as the land. And the survivors are reaching the end of the world too, as the supplies of tinned food are running out. Let’s face it, cannibalism is not a long term survival plan. The Road is rich in irony. The Man and Boy carry “the flame” in a world destroyed by fire. They find food and shelter in a hideout left by a survivalist who did not survive. They meet a prophet on the road who says that there is no God. The prose is beautiful poetry describing a world of grey ash. The Man is one of the good guys who kills the first person he talks to and almost certainly kills the last in his mission to save the Boy. The road goes on, as must life

Conclusion

The Road is beautifully written; it is often more poetry than prose. Sometimes this means that clarity is sacrificed for the language, or perhaps the meanings have to be thought about and teased out – your choice. Critics and reviewers have argued over whether it is science fiction, horror, parable or speculative fiction. They have dissented over whether the end of the world was nuclear, meteor or the second coming. They all agree that The Road is a magnificent piece of literature, worth of the Pulitzer Prize and more.

Further Reading

The Guardian - The Road To Hell
The New York Review of Books - After the Apocalypse
The New Your Times - The Road Through Hell, paved With Desperation
SF Gospel - Cormac McCarthy's The Road
Washington Post - Apocalypse Now
SFBK original posting

Rating

  1. best use it as reaction mass
  2. pot boiler suitable for the space port
  3. ok
  4. a good book
  5. genre defining classic that other books will orbit around
***** It won the Pulitzer!

Tuesday, 9 September 2008

Book Club archive

I have been asked a few times for a complete list of our books to date and here they are. One day they might all get a write-up.

Dune;

Frank Herbert

Spice gives long life; without Spice, space travel is nigh impossible; Spice is the most valuable substance in the universe, but can only be found on one planet. Dune, a planet without water and without mercy, where empires rise and fall. And on this God-forsaken land a new messiah is rising. Winner of the 1966 Hugo and Nebula awards

Foundation;

Isaac Asimov

The time is a future century, in the days of the Julactic Empire – a society of a million worlds throughout the Milky Way. The Old Empire is crumbling into barbarism and Hari Seldon and his band of psychologists see before them only the despair of thousands of years of anarchy, unless they can create a new force – the Foundation – dedicated to art, science and technology – the nucleus of a new empire…

Read the book club analysis here

2001 a space odyssey;

Arthur C Clarke

On the ancient savannas of Africa, an alien black monolith sparks intelligence into a group of apes, leading to violence and the rise of humanity. Buried deep in the Luna regolith, a magnetic anomaly leads astronauts to discover a black monolith that reacts when exposed to sunlight. En-route to Jupiter to examine another monolith, artificial intelligence descends to madness and one crew member discovers just how far human evolution can go.

The Swarm;

Frank Schätzing

Something strange and terrible is happening deep in the oceans. Tides and currents are shifting, normally peaceful creatures are attacking, ships are sinking, fishermen drowning. The world ecology is in crisis… and this is just the beginning. Led by the claret-loving Norwegian Sigur Johanson and the Inuit whale expert Leon Anawak, a motley group of scientists find themselves in a race against time to prevent a global cataclysm – and to head of those who want to exploit it in their own pursuit of power.

Ender’s Game;

Orson Scott Card

Ender Wiggin is Battle School’s latest recruit. His teachers reckon he could become a great leader. And they need one. A vast alien force is heading for Earth, its mission: the annihilation of all human life. Ender could be our only hope. But first he has to survive the most brutal military training program in the galaxy… Winner of the Hugo (1986) and Nebula (1985) awards

Mortal Engines;

Philip Reeve

London is on the move again. The city has been lying low, skulking in the hills to avoid the bigger, faster, hungrier cities loose in the Great Hunting Ground. The town moves off after its quarry as events within the walls begin to take a sinister turn… Winner of the 2002 Nestle Smarties Book Prize Gold Award and Blue Peter Book of the Year 2003

American Gods;

Neil Gaiman

Days before his release from prison, Shadow’ wife, Laura, dies in a mysterious car crash. Numbly, he makes his way back home. On the plane, he encounters the enigmatic Mr Wednesday, who claims to be a refugee from a distant war, a former god and the king of America. Together they embark on a profoundly strange journey across the heart of the USA, whilst all around them a storm of preternatural and epic proportions threatens to break. Winner of the 2002 Hugo, Nebula, SFX Magazine and Bram Stoker Awards, and the 2004 Geffen Award

The Hitchhiker’s Guide to the Galaxy;

Douglas Adams

One Thursday lunchtime the Earth gets unexpectedly demolished to make way for a hyperspace bypass. For Arthur Dent, who has only just had his house demolished that morning, this seams already more than he can cope with. Sadly, however, the weekend has only just begun, and the galaxy is a very strange and startling place.

Revelation Space;

Alastair Reynolds

Nine hundred thousand years ago, something wiped out the Amarantin. For the human colonists now settling the Amarantin homeworld Resurgam, it’s little more than academic interest, even after the discovery of a long-hidden, almost perfect Amarantin city and a colossal statue of a winged Amarantin. For brilliant but ruthless scientist Dan Sylveste, it’s more than merely intellectual curiosity and he will stop at nothing to get at the truth. Even if the truth costs him everything. But the Amarantin were wiped out for a reason. And that danger is closer and greater than even Sylveste imagines…

Coalescent;

Stephen Baxter

Sisters matter more than daughters. Ignorance is strength. Listen to your sisters.
As the light of the Roman Empire gutters and fails one woman begins a remarkable quest to protect her family. It is a quest that will last 2000 years and threaten everything we know. In present-day England George Poole is looking for his long-lost sister. It is a search that will take him to Rome and into the heart of an ancient secret: a secret that holds a terrifying truth for all our futures.

Kéthani;

Eric Brown

It takes an alien race to show us our humanity When a mysterious alien race known as the Kéthani make contact with the people of Earth they bring with them the dubious gift of eternal life. These enigmatic aliens will change the course of the human race forever but also touch people’s lives on a personal scale, not least in a small town in the English countryside. But do the Kéthani have a hidden agenda and will the human race choose the evolve or turn in on itself in the face of this momentous revelation?

Read the book club analysis here

The Road;

Cormac McCarthy

A father and his son walk alone through burned America, heading slowly for the coast. Nothing moves in the ravaged landscape save ash on the wind. They have nothing but a pistol to defend themselves against the men who stalk the road, the clothes they are wearing, a cart of scavenged food – and each other. Winner of the 2007 Pulitzer and 2006 James Tate Black Memorial prizes

Read the book club analysis here

Troll Fell

From the Harper Collins web site
Peer Ulfsson stood miserably at his father's funeral pyre, watching the sparks whirl up like millions of shining spirits streaking away into the dark.
But someone else is also at the funeral. Peer's half-uncle, Baldur Grimsson. Peer watches helplessly as Uncle Baldur sells his father's property and pockets the money. Peer is then forced to move away from the world he knows in Hammerhaven, and live with his two half-uncles at their mill near Troll Fell.
Peer hopes his other uncle will be more welcoming and less ferocious than Baldur, but Baldur is an identical twin, and Grim Grimsson is just as mean-spirited and greedy as his brother. Peer lives a life of servitude, with only the company of his faithful dog, Loki, until he meets spirited Hilde, whose family farm on Troll Fell, and Nis, his uncles' house spirit. Between them, they must foil a plot by the Grimsson brothers to sell one boy and one girl to the trolls who live on Troll Fell. But the Grimssons want riches, and they will do anything to get them. And as everyone knows, trolls are rich… but they are also cunning.
You can find more about the author ketherine Langrish on her web site
Next meeting on October 20th at Anne's new house

Sunday, 31 August 2008

Web site images

Now that I have customised the web site format, I thought that for reasons of copyright and interest, it would be best to list the origins of the various site images. They are all from the NASA Astronomy Picture of the Day site

Background Stars Young and Old

Galactic or open star clusters are relatively young swarms of bright stars born together near the plane of our Milky Way Galaxy. Separated by about a degree on the sky, two nice examples are M46 (upper left) 5,400 light-years in the distance and M47 (lower right) only 1,600 light-years away toward the nautical constellation Puppis. Around 300 million years young M46 contains a few hundred stars in a region about 30 light-years across. Aged 80 million years, M47 is a smaller but looser cluster of about 50 stars spanning 10 light-years. But this portrait of stellar youth also contains an ancient interloper. The small, colorful patch of glowing gas in M46 is actually the planetary nebula NGC 2438 - the final phase in the life of a sun-like star billions of years old. NGC 2438 is estimated to be only 3,000 light-years distant and likely represents a foreground object, only by chance appearing along our line of sight to youthful M46. http://antwrp.gsfc.nasa.gov/apod/ap050804.html

Text background IC 1396 H-Alpha

Clouds of glowing hydrogen gas mingle ominously with dark dust lanes in this close-up of IC 1396, an active star forming region some 2,000 light years away in the constellation Cepheus. In this and other similar emission nebulae, energetic ultraviolet light from a hot young star strips electrons from the surrounding hydrogen atoms. As the electrons and atoms recombine they emit longer wavelength, lower energy light in a well known characteristic pattern of bright spectral lines. At visible wavelengths, the strongest emission line in this pattern is in the red part of the spectrum and is known as "Hydrogen-alpha" or just H-alpha. Part of IPHAS, a survey of H-alpha emission in our Milky Way Galaxy, this image spans about 20 light-years and highlights bright, dense regions within IC 1396, likely sites where massive new stars are born.

Personally, I think that this looks like a man on horseback holding a bow, but Bea insists that it looks like two dragons. Of course, it could just be a random gas cloud… http://antwrp.gsfc.nasa.gov/apod/ap050930.html

Header Eclipsed Moon Montage

After watching this month's lunar eclipse, amateur astronomer Sebastien Gauthier carefully composed this montage of telescopic images of the Moon sliding through planet Earth's shadow. While the deepest part of the total eclipse corresponds to the central exposure, the play of light across the lunar surface nicely demonstrates that the planet's shadow is not uniformly dark as it extends into space. In fact, lunar maria and montes are still visible in the dimmed, reddened sunlight scattered into the cone-shaped shadow region, or umbra, by Earth's atmosphere. For this eclipse, the Moon's trajectory took it North of the umbra's darker core, seen here cast over the Moon's cratered southern highlands. Gauthier's telescope and camera equipment were set up near the Trois-Rivieres College Champlain Observatory in Quebec, Canada. http://antwrp.gsfc.nasa.gov/apod/ap030522.html

Wednesday, 13 August 2008

Burning Chrome, by William Gibson

A collection of short stories first published 1986

Overview

Gangsters, double crosses, hustles, hallucinogenics, neural interfaces, virtual reality: elements of the past and future fused together. Burning Chrome is a drug-fuelled, high-tech, rollercoaster ride in the dark. Packed with fragmented sentences and jargon, Burning Chrome is not an easy read, but a compelling one. These stories will not be to everyone’s likening. They are a difficult read, packed with unpleasant characters in uncomfortable situations. Sometimes there is a lesson to be learned, but generally only the winning matters. They are as beguiling as a car crash. In some other books, the future is bright. In Burning Chrome, it may be orange but it is dark and scary. Inhabited with gangsters committing high-tech crimes or bio-terrorism, this is not a pleasant place to be. Gibson’s aggressive poetry is brutally beautiful. The prose is fragmented; quantum. Perception jumps. Vision blurs as if through a drugged haze. Jargon real and invented beguile and bamboozle. Gibson himself, like Philip K Dick, was no stranger to narcotics and his experience is made flesh in these stories. Published in magazines between 1977 and 84, these stories came at the start of the revolution in popular computing and a sea change in science fiction. The cyberpunk stories of Gibson and his collaborators threw out the shiny futures and political dystopias, and brought in a new dystopian vision where mega-corporations and organised crime ruled (though sometimes it is difficult to tell the difference). These stories are not Star Trek, but criminals with computers; lock, stock and two smoking hard drives. The future has brought technology but it has not cured us of the sins of humanity; it has only enabled new ones. This is classic cyberpunk in bite-sized portions.

What is Cyberpunk?

Cyberpunk: high-tech and low-life. According to Lawrence Person (sci-fi writer) in his Notes Toward a Postcyberpunk Manifesto, “Classic cyberpunk characters were marginalized, alienated loners who lived on the edge of society in generally dystopic futures where daily life was impacted by rapid technological change, an ubiquitous datasphere of computerized information, and invasive modification of the human body.” Gibson originated the term “Cyberspace” in the story “Burning Chrome” and popularised it in his novel “Neuromancer”. “Cyberpunk”, on the other hand, was coined by Bruce Bethke.

Contents

Johnny Mnemonic

First published 1981 in Omni. Part of the Sprawl series of stories Johnny is a data courier using RAM chips embedded in his head. Unfortunately for him, and several of the other characters, the latest job goes rather wrong…

The Gernsback Continuum

First published 1981 in Universe II. Independent story A photographer sets out to record the surviving examples of futuristic American architecture from the 1930’s and 40’s, only to experience visions of how America might have been if the predictions had come true.

Fragments of a Hologram Rose

First published 1977 in Unearth 3. Independent story Parker’s life is fragmented and revealed like the hologram of a rose he shreds. How much of his memories are his and how much from the immersive ASP machines?

The Belonging Kind

With John Shirley, first published 1981 in Shadows 4. Independent story Barflies sometimes metamorphose and outsiders may just find more than companionship but a whole new life.

Hinterlands

First published 1981 in Omni. Independent story In the depths of the solar system, the Highway is the gateway to another dimension. Unfortunately, no one returns sane or alive long enough to tell what they saw; only bringing tantalising glimpses.

Red Star, Winter Orbit

With Bruce Sterling. First published 1981 in Omni. Independent story In the orbiting Salyut, revolution and counter-revolution engulf the crew. Will Colonel Korolev, the first man on Mars, be the last man in space?

New Rose Hotel

First published 1981 in Omni. Part of the Sprawl series of stories In Tokyo, a biotech deal goes very wrong for Fox

The Winter Market

First published in the Vancouver Magazine in 1985. Independent story Life and death become confused in the arthouse of neural recordings.

Dogfight

With Michael Swanwick, first published 1985 in Omni. While not directly part of the Sprawl series, it is very compatible. Deke flies virtual fighter planes with his mind, but finds that in winning he can loose more than he bargained for.

Burning Chrome

First published 1981 in Omni. Part of the Sprawl series of stories and the origin of the term “Cyberspace” Bobby and Jack raid a gangster’s computer fortress.

Related books

The Sprawl Trilogy are Gibson’s first novels: Neuromancer, Count Zero, and Mona Lisa Overdrive. They share characters and settings with the short stories Johnny Mnemonic, New Rose Hotel and Burning Chrome.

Themes

Perception, science and society

In many of the stories, the characters interface with the world through a virtual environment. Technology enables and enhances the communication with the world as well as introduces barriers between people: they are simultaneously both closer and further apart. People not want to see the world as it is. Virtual reality or drugged haze, not real reality, is the preferred mode of perception.

Success and failure

A recurring theme is that success and failure are two sides of the same coin.
  • Johnny Mnemonic escapes from the Yakuza assassins, but at the price of remaining for the rest of his days in the Nighttown roof.
  • Korolev, in Red Star, Winter Orbit, sees his friends escape to Earth but he is trapped in space by his handicap and lack of transport. The Soviets won the space race, but ultimately American squatters occupy the space station.
  • In the Winter Market, Lise’s death is not her end.
  • In Dogfight, to win the game Deke betrays, assaults and robs his solitary friend, only to find that winning is pointless without someone to share it with.

Motifs

Cyberspace & virtual reality

Computing technology is the central theme of most of Gibson’s stories. The characters interact with each other via neural / computer links. They see visualisations of data and carry each other’s memories without understanding.

Drugs

Rugs – like technology – enhance, warp and hide the real world. Both are man made but only one is socially acceptable.

Crime

Science has brought material improvements, but has not changed the human spirit. Criminals use technology to commit crimes impossible in an earlier age.

Bodily enhancements

The natural body is not enough for Gibson’s characters: they have to be enhanced. Molly’s sunglasses are embedded into her face, the Yakuza assassin replaces his thumb with a killing bolas, the Nighttown residents replace their teeth with dog’s, others have grafted muscles, and many have computer plugs into their brains.

Symbols

Molly’s glasses

Surgically embedded into her face, her vision is sealed from the outside world: mirrored glasses filter her perception. Like so many characters in these stories, technology changes the way that they look upon the world: “through a mirror darkly”

Johnny’s RAM chip memory

The computer memories in his head are inaccessible to Johnny Mnemonic. Technology can enhance our natural capacities without making things better for us.

Rating

  1. best use it as reaction mass
  2. pot boiler suitable for the space port
  3. ok
  4. a good book
  5. genre defining classic that other books will orbit around

* * * * Very nearly a cyberpunk genre defining classic, but that crown has to go to Gibson’s Neuromancer